From Disney’s 'Fantasia' to Kubrick’s 'A Clockwork Orange', a diverse range of filmmakers has used the music of Beethoven for a variety of purposes, most commonly inside the narrative, as when Alex in Kubrick’s film plays his LP of the Ninth Symphony, or when Bette Davis plays the Appassionata Sonata in 'Deception', but also occasionally to create a mood, such as Peter Weir’s use of the 'Emperor Piano Concerto' in Picnic at Hanging Rock.