One day, bailiff Orsolya (Eszter Tompa) knocks on the door of the basement where Ion has been squatting. An unexpected event creates a moral crisis leaving Orsolya with a monumental guilt only to be consoled with explanations and equivocations that fail to soothe her tormented consciousness.

This is a bracing spiritual and ethical inquiry into the universal (and very relevant) problems involving immigration, assimilation, housing, and individual and national duty to aid those in need.

Featuring a terrific central performance by Tompa, both comic and affecting, the film will bring reassurance to anyone who was worrying that European art cinema had lost its combative spirit.