A depressed cinema manager called Hilary, works at the Empire cinema on Margate seafront in 1981 as Britain swan-dives into recession, unemployment and widespread racism.
The staff at the Empire are family – of sorts – including a pompous manager and a dedicated projectionist (Toby Jones). But then the Empire hires a new ticket-seller: Stephen, a young Black man who has an instant connection with Hilary and their relationship blossoms.
The movie slowly casts a spell, eventually conjuring another grand, if slightly odder, piece of fine art from a master director.