Their dialogue and their interactions, much of them improvised from a conversation-free script outline of just 16 pages, are entirely credible and there are hints of Linklater’s ‘Before Trilogy’ in this impressive exercise in understatement by a filmmaker who has long wanted to make a work in the “mumblecore” sub-genre.

Director Statement
“Note to self: shooting in a car is really problematic… as is taking an entire crew on the road!” - James Card